The whole space takes white as the main keynote, without rough and luxuriant decorations and trivial functions, using a simple and pure form as the expression. In the exhibition hall of the first floor, there is no eccentric modeling and willful arc lines, and no useless decoration, either. Everything is returned to the base point. We try to use the least material, and set aside more space for the soul. The reception foreground runs through the whole transverse space strikingly, and what matches is the background: the sunlight projects the dancing tree shadows onto the white curtain freely. The lapse of the time endues it with different scenes, letting us sense the existence of the radiation most purely and most fundamentally.